Henrietta Swan Leavitt made a discovery that forever changed how astronomers understand the universe. Learn about Leavitt’s journey to solving one of the biggest questions in astronomical history and the impact her findings hold today.
Starting March 13, 2020, Ford’s Theatre presents a new production of the classic American musical Guys and Dolls, directed by Peter Flynn. We spoke with our four leads, Maria Egler, Joe Mallon, Bueka Uwemedimo and Karen Vincent, about their roles and what songs they already have playing in their heads.
During her career, Henrietta Swan Leavitt catalogued more than 2,400 variable stars—about half of the known total in her day, without ever looking through a telescope. She catalogued alongside Williamina Fleming for the first part of her time at Harvard College Observatory and then with Annie Jump Cannon. With this production, Ford’s Theatre celebrates their contributions and accomplishments.
In 1979, Ford's Theatre produced our first production of this Charles Dickens classic. Today, this show has become a beloved holiday tradition for many in the Washington area. As we celebrate our 600th performance of this production on Tuesday, November 26, 2019, let’s take a look at some of the stage magic by-the-numbers.
What really made me want to write a play about Henrietta is that her story was not only about one brilliant woman but an entire cohort of women who [were] Harvard “computers.” This was a story about a sisterhood. In this play we also get to know Annie Jump Cannon and Williamina Fleming, [and] other astronomers that worked with Henrietta.
In writing A Christmas Carol, Charles Dickens imagined a story that folks could return to again and again. He thought he could easily achieve this if he had the novel illustrated. For the task, Dickens chose John Leech, a caricaturist and illustrator known for his humor and satirical bent.
This holiday season, Ford’s Theatre presents A Christmas Carol from November 21, 2019, to January 1, 2020. We recently spoke with actor Stephen F. Schmidt who portrays the Ghost of Jacob Marley in this year’s production.
"I read Fences in 1987 and was so moved by its portrait of the deeply troubled Troy Maxson that, as soon as I had turned the last page, I vowed to read everything I could get my hands on that was written by August Wilson.” Thus began Dr. Sandra Shannon's more than 30-year career as a leading scholar of his life and work.
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