David Chu, founder of c2 (Caption Coalition), Inc., which provides caption services for Ford’s Theatre performances, sat down with us to share why his work is so valuable to patrons including those who are deaf or have hearing loss. 

We share lessons learned about the National Oratory Fellows program after completing year one of a three-year evaluation report by our independent evaluator and researcher Catherine Awsumb Nelson.

In our modern political climate, how should a program about Reconstruction and Civil War Memory adapt to meet the needs of teachers and museum educators? Explore what we've learned by running The Seat of War and Peace, a Ford’s Theatre summer program for teachers.

In an effort to foster a connection with the Millennial demographic, Ford’s and other theatre companies are developing programming that caters to their interests, offering social incentives and ticket discounts to young theatregoers.

As part of our commitment to accessibility, Ford’s Theatre recently partnered with the Smithsonian Institution to host a sensory-friendly Morning at the Museum. We built on the lessons learned through our sensory-friendly performance of The Wiz to make our museum easily accessible to those with sensory sensitivities.

Learn how the Ford’s Theatre education department has adapted its oratory programs to work with English-language learners. 

When our education and communications teams started collecting, sharing and discussing analytics, we improved our impact, both in terms of numbers served and depth of engagement.

How should a historic site use the web for storytelling? Learn about how Ford’s Theatre staff arrived at our current approach, after a couple of attempts that weren’t quite right.

Ford’s Theatre has made a commitment to increase access and inclusion to our museum and theatre. Hosting a Sensory-Friendly performance was a great way to welcome new audiences to our space in an environment designed to welcome and embrace everyone.

In our third and final prototyping sprint on the Ford’s campus, we twice built on a previous concept: character cards representing historical figures whose stories patrons follow through the exhibit. Since the cards were highly successful in terms of engagement, the D.R.A.F.T. team is now looking at how to implement this idea.