Following friend (and racketeer) Arnold Rothstein’s murder, Damon Runyon used Rothstein’s trial as inspiration to write stories in a perpetual present tense. Runyon found his home in his fictional Runyonland, a place created from his observations of Broadway’s nightlife. Learn more about the origins of the classic musical Guys and Dolls in this post.
Starting March 13, 2020, Ford’s Theatre presents a new production of the classic American musical Guys and Dolls, directed by Peter Flynn. We spoke with our four leads, Maria Egler, Joe Mallon, Bueka Uwemedimo and Karen Vincent, about their roles and what songs they already have playing in their heads.
During her career, Henrietta Swan Leavitt catalogued more than 2,400 variable stars—about half of the known total in her day, without ever looking through a telescope. She catalogued alongside Williamina Fleming for the first part of her time at Harvard College Observatory and then with Annie Jump Cannon. With this production, Ford’s Theatre celebrates their contributions and accomplishments.
In 1979, Ford's Theatre produced our first production of this Charles Dickens classic. Today, this show has become a beloved holiday tradition for many in the Washington area. As we celebrate our 600th performance of this production on Tuesday, November 26, 2019, let’s take a look at some of the stage magic by-the-numbers.
What really made me want to write a play about Henrietta is that her story was not only about one brilliant woman but an entire cohort of women who [were] Harvard “computers.” This was a story about a sisterhood. In this play we also get to know Annie Jump Cannon and Williamina Fleming, [and] other astronomers that worked with Henrietta.
In writing A Christmas Carol, Charles Dickens imagined a story that folks could return to again and again. He thought he could easily achieve this if he had the novel illustrated. For the task, Dickens chose John Leech, a caricaturist and illustrator known for his humor and satirical bent.
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