Fifty years after Arthur Miller wrote Death of a Salesman, our cast reflects on how timeless the story has remained. Craig Wallace, Kimberly Schraf, Danny Gavigan and Thomas Keegan share their perspective on the roles they play and how they relate to the Loman family.
More than 1,000 D.C.-area students attendour student matinee performances each year. LaMar Bagley, Ed.D., Director of Student Life for The SEED School of Washington, D.C., has brought his classes for 10 years. LaMar says the experience teaches his students critical thinking and allows them to draw correlations between the history told on stage and their own lives.
The Southern Poverty Law Center (SPLC) surveyed more than 10,000 administrators, teachers, counselors and support staff about their post-election classroom and school environment. Data showed that half of teachers surveyed were uncomfortable bringing up the election and politics in their classrooms. We must build a community where students feel comfortable exchanging ideas. Creating a safe learning environment starts on day one of the school year.
During spring 2017, Ford’s Theatre presents Ragtime, an epic Tony-winning musical based on E. L. Doctorow’s celebrated novel about three families striving for the American dream. We spoke with director Peter Flynn about his thoughts on the play’s expansive musical score, striking relevancy and confrontation of both unbridled optimism and the stark reality of life, liberty and the pursuit of happiness.
In Who’s Afraid of Virginia Woolf?, Albee wrote a snapshot of life on a New England college campus in the early 1960s. As with most of his work, he had no interest in what life was supposed to be, but instead delved into the actuality of life itself. This is not the typical mid-20th century life that we often see depicted on television or in the movies.
You will likely read many tributes about Edward Albee the genius, the three-time Pulitzer Prize winner, and the multiple Tony Award winner. For me, Edward was my colleague and friend, and I was fortunate to get to see sides of him the public often wasn’t privy to. I want to tell you about Edward Albee, the man.