Throughout history many Americans have used oratory as a way to drive civic change. Read on to discover 10 change-makers whom you might not know about yet.

You might not guess that Ford’s can only fit eight musicians in our 1860s-style band pit, or that we plan for more than a year before staging a musical. Discover the process from our decision to produce to our audience's applause.

Learn more about how Ford’s brought a local program to a national audience with the Lincoln Online Oratory Project.

Learn more about our upcoming production of August Wilson's Fences from the director, Timothy Douglas. 

As the site of a racially-motivated political assassination, Ford’s Theatre recognized that we can help educators use Twelve Angry Men to teach about implicit bias, systemic racism and their impact on our society.

Recently, we completed an evaluation report on our summer teacher institutes: Civil War Washington and The Seat of War and Peace. Read on to discover our key findings!

David Chu, founder of c2 (Caption Coalition), Inc., which provides caption services for Ford’s Theatre performances, sat down with us to share why his work is so valuable to patrons including those who are deaf or have hearing loss. 

When John Wilkes Booth was captured, a photo of Lucy Hale was found on his person. But it turns out, that Lucy Hale had captured more hearts in Washington than Booth’s!

We share lessons learned about the National Oratory Fellows program after completing year one of a three-year evaluation report by our independent evaluator and researcher Catherine Awsumb Nelson.

One of the most commonly asked questions we hear is, “Why is there a portrait of George Washington decorating the Presidential Box?” Read on to find out more!