When John Wilkes Booth was captured, a photo of Lucy Hale was found on his person. But it turns out, that Lucy Hale had captured more hearts in Washington than Booth’s!

We share lessons learned about the National Oratory Fellows program after completing year one of a three-year evaluation report by our independent evaluator and researcher Catherine Awsumb Nelson.

One of the most commonly asked questions we hear is, “Why is there a portrait of George Washington decorating the Presidential Box?” Read on to find out more!

Awa Sal Secka (Glinda in The Wiz) stars as the Baker’s Wife in our new production of Into the Woods. She chats with us about the challenges of singing Sondheim’s score and the fun she anticipates in the rehearsal room with her costars.

In our modern political climate, how should a program about Reconstruction and Civil War Memory adapt to meet the needs of teachers and museum educators? Explore what we've learned by running The Seat of War and Peace, a Ford’s Theatre summer program for teachers.

Twelve Angry Men is a play credited with creating a genre: the “courtroom drama."

In 1956, Samuel J. Seymour appeared on the hit T.V. show “I’ve Got A Secret,” claiming to be the last living witness to Abraham Lincoln’s assassination in 1865. But, how true is his story? 

In an effort to foster a connection with the Millennial demographic, Ford’s and other theatre companies are developing programming that caters to their interests, offering social incentives and ticket discounts to young theatregoers.

Ford’s Theatre offers a variety of accessibility services for persons with low vision or blindness, including braille programs and audio description for theatrical performances. We recently spoke with Janet Carsetti and Bob Coley, two longtime Ford’s describers from Metropolitan Washington Ear, about the assistance Audio Description provides and what patrons can expect at those performances.

In January 2019, Ford’s presents a new production of the American drama Twelve Angry Men. Directed by Sheldon Epps, the play gives audiences a behind-the-scenes look at the jury deliberation room. Epps recently spoke with us about his concept for the play here in Washington, D.C.